Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.  Related Paintings of Caravaggio :. | Taking of Christ g | The Sacrifice of Isaac_2 | Medusa gg | Deposition of Christ | Portrait of a Knight of Malta |
Related Artists:
Giovanni di Paolo
Italian Early Renaissance Painter, ca.1403-1483,major Italian painter of the Sienese school. Typical of the Sienese painters of his era, he paid scant attention to the artistic innovations made in nearby Florence, but often depended on the style established by the Sienese masters of the 14th cent. Fortunately, Giovanni di Paolo was endowed with great imagination. His first dated work (1426) was the Pecci altarpiece (major panels in Siena; predella panels in the Walters Art Gall., Baltimore). He produced a tremendous number of works during his long career. Many paintings have remained in Siena, but there are probably more examples of his art in the United States. The Metropolitan Museum has several of his paintings; among them is a delightful scene of Paradise; in the Philip Lehman collection is the exquisite Creation of the World. The Madonna and Child in a Landscape (Mus. of Fine Arts, Boston) exemplifies his inclination toward pure fantasy and disregard for the laws of perspective. Giovanni di Paolo is best represented by six highly expressive scenes from the life of St. John the Baptist (Art Inst., Chicago).
Simon Mathurin Lantara
(24 March 1729 - 22 December 1778) was a French landscape painter. He was born at Oncy. His father was a weaver, and he himself began life as a herdboy; but, having attracted the notice of Gille de Reumont, a son of his master, he was placed under a painter at Versailles. Endowed with great facility and real talent, his powers found ready recognition; but he found the constraint of a regular life and the society of educated people unbearably tiresome; and as long as the proceeds of the last sale lasted he lived careless of the future in the company of obscure workmen. Rich amateurs more than once attracted him to their houses, only to find that in ease and high living Lantara could produce nothing. He died in Paris in 1778. His works, now much prized, are not numerous; the Louvre has one landscape, Morning, signed and dated 1761. Émile Bernard, Joseph Vernet, and others are said to have added figures to his landscapes and sea-pieces. Engravings after Lantara will be found in the works of Lebas, Piquenot, Duret, Mouchy and others. In 1809 a comedy called Lantara, or the Painter in the Pothouse, was brought out at the Vaudeville with great success.
Mariotto Di Cristofano
San Giovanni Valdarno, 1393 - Firenze, 1457